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Welcome to International Journal of Research in Social Sciences & HumanitiesE-ISSN : 2249 - 4642 | P-ISSN: 2454 - 4671 IMPACT FACTOR: 8.561 |
Abstract
A STUDY ON HISTORICAL FICTION AS DESCRIBED IN SALMAN RUSHDIE'S NOVELS
Jagdish Chander
Volume: 3 Issue: 4 2013
Abstract:
Post-colonial historiography and historical fiction have come to share common concerns about representation with post-modem historic-graphic met fiction where story telling along with revelation in their own narratively becomes a historical and political act. As Simon argues, post- colonial writing becomes one of the ways of subverting imperial myths by 'foregrounding the fact that history is not a set of immovable past achievements but a discourse, open to reinterpretation.'
References
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- Parameswaran, Uma, The Perforated Sheet: Essays on Salman Rushdie's Art, New Delhi: Affiliated West Press Pvt. Ltd., 1988,1-89
- Pathak R.S., 'History and Individual in the Novels of Rushdie,' Three Contemporary Novelists, ed. R. K. Dhawan. New Delhi: Classical, 1985
- Pathak, R.S. ed. by Avadesh Kumar Singh. Indian English Literature: Marginalized Voices. New Delhi: Creative Books, 2003. Voice in the Motherland', Postcolonial Discourse and Cultural Contexts: Theory and Criticism, ed. Gita Rajan and Radhika Mohanram, Westport, Conn.: Greenwood, 1995, 47-57
- Nunning, Ansgar. 'The Creative Role of Parody in Transforming Literature and Culture: An Outline of a Functionalist Approach to Postmodern Parody,' European Journal of English Studies, 3:2, pp 123-137.
- Oomen Susan, 'Fictional Intent III Rushdie's Shame,' III the Literary Criterion, vol. 22, 1985, p. 40
- Pandey, Surya Nath. ed

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